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Flemish Gallery and art collection paintings have been interpreted as a kind of visual theory of art. [12] Such paintings continued to be made in Antwerp by Gerard Thomas (1663–1721) and Balthasar van den Bossche (1681–1715), and foreshadow the development of the veduta in Italy and the galleries of Giovanni Paolo Pannini .
Still Life Paintings from the Netherlands 1550–1720, (Dutch:Het Nederlandse Stilleven 1550–1720) is a 1999 art exhibition catalog published for a jointly held exhibition by the Rijksmuseum Amsterdam (19 June – 9 September 1999) and Cleveland Museum of Art (31 October 1999 – 9 January 2000).
Pronk still life with fruit, oysters and lobsters. Andries Benedetti or Andreas Benedetti [a] (1615/18 – after 1649 and before 1660) was a Flemish still life painter mainly active in Antwerp who is known for his fruit still lifes and pronkstillevens.
Still life of porcelain vessels and pewter plates with sweets and chestnuts. Osias Beert or Osias Beert the Elder (c. 1580 – 1623) was a Flemish painter active in Antwerp who played an important role in the early development of flower and "breakfast"-type still lifes as independent genres in Northern European art.
After 1550 the Flemish and Dutch painters begin to show more interest in nature and beauty "in itself", leading to a style that incorporates Renaissance elements, but remains far from the elegant lightness of Italian Renaissance art, [3] and directly leads to the themes of the great Flemish and Dutch Baroque painters: landscapes, still lifes ...
Still-life painting as an independent genre or specialty first flourished in the Netherlands in the last quarter of the 16th century, and the English term derives from stilleven: still life, which is a calque, while Romance languages (as well as Greek, Polish, Russian and Turkish) tend to use terms meaning dead nature.
Joachim Beuckelaer (c. 1533 – c. 1570/4) was a Flemish painter specialising in market and kitchen scenes with elaborate displays of food and household equipment. [1] His development of the genre of market and kitchen scenes was influential on the development of still life art in Northern Europe as well as Italy and Spain.
Trompe l'oeil with studio wall and vanitas still life. Approximately 70 works by Gijsbrechts are known. Gijsbrechts was a painter of still lifes. He almost exclusively painted trompe-l'œil and vanitas paintings which were popular around the second half of the 17th century. Early in his career he produced pure vanitas paintings later switching ...