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  2. A Farmhouse Behind A Fence - Wikipedia

    en.wikipedia.org/wiki/A_Farmhouse_Behind_A_Fence

    A Farmhouse Behind A Fence is a 1904 painting by the Dutch artist Piet Mondrian. [1] It was completed early in his career, in 1904, when "the artist abruptly broke from his former life and went into rural seclusion in Brabant, a province in southern Netherlands."

  3. List of works in the Museum of Modern Art - Wikipedia

    en.wikipedia.org/wiki/List_of_works_in_the...

    The Large Trees. L'Estaque 1906–07 (Georges Braque) Bathers. 1907 (André Derain) Hope II. 1907–08 (Gustav Klimt) Les Demoiselles d'Avignon. Paris, June–July 1907 (Pablo Picasso) Street, Dresden. 1908 (reworked 1919; dated on painting 1907) (Ernst Ludwig Kirchner) Picture with an Archer. 1909 (Wassily Kandinsky)

  4. Julie Mehretu - Wikipedia

    en.wikipedia.org/wiki/Julie_Mehretu

    Julie Mehretu (born November 28, 1970) is an Ethiopian American contemporary visual artist, known for her multi-layered paintings of abstracted landscapes on a large scale. Her paintings, drawings, and prints depict the cumulative effects of urban sociopolitical changes. Mehretu is included in Time ' s 100 Most Influential People of 2020. [1]

  5. 20th-century Western painting - Wikipedia

    en.wikipedia.org/wiki/20th-century_Western_painting

    Henri Matisse, The Dance I, 1909, Museum of Modern Art.One of the cornerstones of 20th-century modern art.. 20th-century Western painting begins with the heritage of late-19th-century painters Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and others who were essential for the development of modern art.

  6. Farmhouse in Provence - Wikipedia

    en.wikipedia.org/wiki/Farmhouse_in_Provence

    Farmhouse in Provence, also known as Entrance Gate to a Farm with Haystacks, is an oil-on-canvas painting produced in 1888 by Dutch painter Vincent van Gogh in Arles, Provence, at the height of his career.

  7. Lee Krasner - Wikipedia

    en.wikipedia.org/wiki/Lee_Krasner

    Krasner was highly influenced by the opening of the Museum of Modern Art in 1929. She was very affected by Post-Impressionism and grew critical of the academic notions of style she had learned at the National Academy. In the 1930s, she began studying modern art through learning the components of composition, technique, and theory. [13]

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