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Other Hours: Connick On Piano Volume 1 is a jazz instrumental album, by Harry Connick Jr., released in 2003. The album features Connick on piano in the context of a small jazz group. Other Hours is his first quartet album, and it was also his first instrumental album in 13 years.
From 1959 to 2011, the Award was called Best Instrumental Jazz Album, Individual or Group. In 2012, it was shortened to Best Jazz Instrumental Album, encompassing albums that previously fell under the categories Best Contemporary Jazz Album and Best Latin Jazz Album (both defunct as of 2012). [1]
The Grammy Award for Best Contemporary Instrumental Album (previously: Best Pop Instrumental Album) is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, [1] to recording artists for quality instrumental albums in the pop music genre.
In theory, any style of music is eligible for this category, but winning compositions are usually in the jazz or film score genres. The Grammy is awarded to the composer(s) of the music, not to the performing artist, except if the artist is also the composer. There have been several minor changes to the name of the award:
It appeared on the group's 1955 10-inch album The Modern Jazz Quartet, Vol. 2 (PRLP 170) and their 1956 12-inch LP Django (PRLP 7057), as well as being released as a 45 RPM single with part 1 on side A and part 2 on side B. [2] [3] [4] It was one of the Modern Jazz Quartet's signature compositions, with the group's bassist Percy Heath recalling ...
Well-established jazz musicians, such as Dave Brubeck, Wynton Marsalis, Sonny Rollins, Wayne Shorter, Jessica Williams and George Benson, continue to perform and record. In the 1990s, punk jazz and jazzcore began to reflect the increasing awareness of elements of extreme metal (particularly thrash metal and death metal ) in hardcore punk.
Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
The introduction used in the song is from Concierto de Aranjuez, a guitar concerto by the Spanish composer Joaquín Rodrigo. The Light as a Feather version of "Spain" received two Grammy nominations, for Best Instrumental Arrangement and for Best Instrumental Jazz Performance by a Group .
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