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  2. Bangle - Wikipedia

    en.wikipedia.org/wiki/Bangle

    Bangles are part of traditional Indian subcontinent jewellery. They are sometimes worn in pairs by women, one or more on each arm. It is also common for women to wear a single bangle or several bangles on just one wrist. Most Indian women prefer wearing either gold or glass bangles or a combination of both.

  3. Chura (bangles) - Wikipedia

    en.wikipedia.org/wiki/Chura_(bangles)

    The traditional churas have been completely abandoned by many Sindhi women of Sindh today and have adopted wearing the red coloured churas made of glass worn usually by bride only on the wedding ceremony, for others glass bangles or silver or gold Kangar/Kara (bracelets) are worn.

  4. Kundan - Wikipedia

    en.wikipedia.org/wiki/Kundan

    Kundan, meaning pure gold, [1] is a traditional form of Indian gemstone jewellery involving a gem set with a gold foil between the stones and its mount, usually for elaborate necklaces and other jewellery. [2] [3]

  5. Jewellery of Tamil Nadu - Wikipedia

    en.wikipedia.org/wiki/Jewellery_of_Tamil_Nadu

    Bharathanatyam dancer with antique temple jewellery. Tamil people have historically been connoisseurs of fine golden jewellery, which has a history predating the Sangam period in the Indian subcontinent. Ancient Tamil literature lists out the different types of jewellery worn by women historically from head to toe. Apart from gold, jewellery ...

  6. Shankha (ornament) - Wikipedia

    en.wikipedia.org/wiki/Shankha_(ornament)

    Shankha production A diverse collection of shankha, Kolkata, India. Shankha or conch bangles is a bangle-shaped ornament made from the shell of marine conchs. [1] Shankha is worn by Hindu married women. Traditionally, women wear white shankha around their hands along with sindoor, noa (golden bangles), and pola (red bangles). The parents in the ...

  7. Thewa - Wikipedia

    en.wikipedia.org/wiki/Thewa

    Thewa is a traditional art of fusing 23K Gold with multicoloured glass which had almost completely died out, till Revivalist designer Roopa Vohra, single handedly revived this dying art form, dedicating over two decades to make thewa a household name and synonymous with her.

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