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"Hedwig's Theme" has been interpolated in the fourth through eighth Harry Potter film scores, including in those by Patrick Doyle, Nicholas Hooper, and Alexandre Desplat and the spin-off Fantastic Beasts scores by James Newton Howard. It also appears in the scores to the last four Harry Potter video games, all composed by James Hannigan ...
Williams, without having seen any footage from the film, composed the first draft of Hedwig's Theme for the short, which he presented to Columbus on piano. [5] [6] But when I heard the Potter theme, John [Williams] played it for me on the piano. He just plunked out [hums Harry Potter Theme], and I thought, 'This is the guy'…
Hooper incorporated "Hedwig's Theme", the series' theme originally written by John Williams for the first film and heard in all subsequent entries, into the score. [2]In March and April 2007, Hooper, conductor Alastair King and a 90-piece of the Chamber Orchestra of London recorded nearly two hours of music at Abbey Road Studios in London with orchestrations provided by King, Geoff Alexander ...
Other musicians credited with writing the Harry Potter music include Jarvis Cocker, The Ordinary Boys, and Nick Cave and the Bad Seeds. Jeremy Soule and James Hannigan wrote the music for the Harry Potter video games. J. Scott Rakozy, Peter Murray, and Chuck E. Myers "Sea" composed the music for Hogwarts Legacy.
Music Length; 1. "Main Titles (Fantastic Beasts and Where to Find Them)" Includes Hedwig's Theme by John Williams: 2:56: 2. "There Are Witches Among Us / The Bank / The Niffler" Includes Hedwig's Theme by John Williams: 6:55: 3. "Tina Takes Newt In / Macusa Headquarters" 1:57: 4. "Pie or Strudel / Escaping Queenie and Tina's Place" 3:06: 5 ...
Harry Potter and the Chamber of Secrets (Original Motion Picture Soundtrack) is the film score to the 2002 film of the same name, composed by John Williams and conducted by William Ross.
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Harry Potter and the Goblet of Fire (Original Motion Picture Soundtrack) was released on 15 November 2005. The film's score was composed by Patrick Doyle, conducted by James Shearman, recorded at Air Lyndhurst Studios and performed by the London Symphony Orchestra with orchestrations provided by Doyle, Shearman, Lawrence Ashmore, John Bell, Brad Dechter, Nicole Nevin and James McWilliam.
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