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The performance was recorded live at Grace Cathedral in San Francisco, California on May 21, 1965. [3] [5] It is considered to be the world's first "jazz mass" presented during a church service. [6] [7] At Grace Cathedral was released on CD in 1997 by Fantasy under the title The Grace Cathedral Concert. [3]
The revision of music in the liturgy took place in March 1967, with the passage of Musicam Sacram ("Instruction on music in the liturgy"). In paragraph 46 of this document, it states that music could be played during the sacred liturgy on "instruments characteristic of a particular people." Previously the pipe organ was used for accompaniment.
Sermon 97: On Obedience to Pastors - Hebrews 13:17; Sermon 98: On Visiting the Sick - Matthew 25:36; Sermon 99: The Reward of the Righteous - Matthew 25:34, preached before the Humane Society; Sermon 100: On Pleasing All Men - Romans 15:2; Sermon 101: The Duty of Constant Communion - Luke 22:19 (written for the use of Wesley's pupils in Oxford ...
The worship has two parts; one in the beginning with music and the second part with sermon and Lord's Supper. [12] In the 1980s and 1990s, Contemporary worship music settled in many evangelical churches. [13] [14] This music is written in the style of popular music, Christian rock or folk music and therefore differs considerably from ...
The Eternal Word Television Network (EWTN) is an American basic cable television network which presents around-the-clock Roman Catholic programming. It is the largest Catholic television network in America, [1] and is purported to be "the world's largest religious media network", [2] (and according to the network itself) reaching 425 million people in 160 countries, [2] with 11 networks.
Communion, or Lord's Supper Commissioning, or Benediction Churches which worship in this way consider that Sunday is the covenant day ( Lord's Day ) in which the covenant people (the church ) meet with God to hear his covenant word (the Bible ) and celebrate the covenant meal (the Eucharist ).
1965 - Concert of Sacred Music; 1968 - Second Sacred Concert; 1973 - Third Sacred Concert; Ellington called these concerts "the most important thing I have ever done". He said many times that he was not trying to compose a Mass. The critic Gary Giddins has characterized these concerts as Ellington bringing the Cotton Club revue to the church. [1]
The prayers were drawn from within the Reformed tradition and from within the Church catholic. One such example was the use of the Prayer of St. John Chrysostom, [1] a departure from the Reformed principles and a look into the pre-denominational period. Congregational participation was encouraged with the provision of responses and unison prayers.