Search results
Results from the WOW.Com Content Network
He played Ken Cosgrove on the AMC series Mad Men (2007–15) [2] [3] and Cole Phelps in the video game L.A. Noire (2011), [4] for which he was nominated for a BAFTA Award for Best Performer. Early life
Cynthia Cosgrove (Larisa Oleynik) (née Baxter) is Ken Cosgrove's wife and the daughter of Ed , the CEO of Corning. Cynthia is a New York society girl, who appears to have moved in the same Manhattan social circles as the presumably older Trudy Campbell, with whom she gets along well.
"Commissions and Fees" is the twelfth and penultimate episode of the fifth season of the American television drama series Mad Men and the 64th episode of the series overall. It is co-written by Andre Jacquemetton and Maria Jacquemetton , and directed by Christopher Manley.
Pete and Harry Crane have lunch with Ken Cosgrove (Aaron Staton), who is engaged to the daughter of Corning's CFO. When Harry leaves to take a call, Ken says his fiancée knows Trudy from a garden club and demands that Pete stop bad-mouthing him behind his back. Pete denies the accusation, telling him it is the sort of thing Harry would do.
Alan Sepinwall, writing for New Jersey's The Star-Ledger, called it "one of the best Mad Men episodes ever" and the "highlight of Season 3 to date". Sepinwall also opined that it was one of the series' funniest episodes yet, while also working as a "dramatic marvel" and having considerable shock value through the lawn mower accident. [ 1 ]
When the fifth season of "Mad Men" begins Sunday, millions of fans will be watching faithfully, drawn to the portrait of the '60s advertising world. The TV series' creator, Matt Weiner, is so ...
The Grown-Ups is the name of thirty-eighth episode of the American television drama series Mad Men and the twelfth episode of the show's third season. It was written by Brett Johnson along with series creator Matthew Weiner, and it was directed by Barbet Schroeder. The episode originally aired on AMC in the United States on November 1st, 2009.
n November 1954, 29-year-old Sammy Davis Jr. was driving to Hollywood when a car crash left his eye mangled beyond repair. Doubting his potential as a one-eyed entertainer, the burgeoning performer sought a solution at the same venerable institution where other misfortunate starlets had gone to fill their vacant sockets: Mager & Gougelman, a family-owned business in New York City that has ...