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Van Gogh admired the techniques of Japanese artists. [12]Characteristic features of ukiyo-e prints include their ordinary subject matter, the distinctive cropping of their compositions, bold and assertive outlines, absent or unusual perspective, flat regions of uniform colour, uniform lighting, absence of chiaroscuro, and their emphasis on decorative patterns.
Hiroshige's original woodblock print and Van Gogh's copy in oil. Vincent van Gogh was a collector of Japanese prints, [14] decorating his studio with them. He was heavily influenced by these prints, particularly those by Hiroshige, and in 1887 painted copies of two of the One Hundred Famous Views of Edo, Sudden Shower over Shin-Ōhashi bridge ...
During his time in Paris, Vincent van Gogh was an avid collector of ukiyo-e, amassing with his brother a collection of several hundred prints purchased in the gallery of S. Bing. [10] This collection included works from The Fifty-Three Stations of the Tōkaidō, and Van Gogh incorporated stylistic elements from his collection into his own work ...
Van Gogh created two versions of this portrait. Both versions feature backdrops of Japanese prints [32] by identifiable artists like Hiroshige and Kunisada. Inspired by Japanese woodblock prints and their colorful palettes, Van Gogh incorporated a similar vibrancy into his own works. [33]
Van Gogh collected hundreds of Japanese prints and likened the works of the great Japanese artists, like Hiroshige, to those of Rembrandt, Hals, and Vermeer. Van Gogh explored the various influences, molding them into a style that was uniquely his own. [27]
The art of woodblock printing in Japan was of great influence for Van Gogh as he was a big collector of many Japanese pieces. [18] Throughout his lifetime, he had collected hundreds of Japanese prints, [19] including Geishas in a Landscape by Torakiyo Sato, which was then used as inspiration for the copy in the background of this portrait.
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