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A Guarneri violin is a center object in one of Andrea Camilleri's main Montalbano novels La Voce del violino ("The voice of the violin"). In the summer of 2010, the ex- Vieuxtemps Guarneri del Gesù, a violin built in 1741 by Bartolomeo Giuseppe Guarneri, was offered for sale at auction with a starting bid of $18 million, the highest price ever ...
The violin was a Curtin & Alf replica of the 1734 Ex-Huberman Guarneri del Gesù which Mr. Ricci used extensively in the last part of his concert career. The sale price of $132,000 [ 25 ] was the highest price ever paid at auction for a violin by living makers.
[9] Moreover, Guarneri's instruments were recognized by a world-class soloist three decades before Stradivari's were likewise championed; by the 1750s, Gaetano Pugnani is known to have acquired and preferred a Giuseppe Guarneri del Gesù violin, but it is not until the 1780s that his pupil, Giovanni Battista Viotti, became an advocate of ...
The Lord Wilton Guarnerius, sometimes called the ex-Yehudi Menuhin, [1] is an antique and valuable violin fabricated by Italian luthier Bartolomeo Giuseppe "del Gesù" Guarneri (1698–1744), usually called Guarneri del Gesù. The violin was made in 1742 in the city of Cremona. [2]
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Il Cannone Guarnerius of 1743 is a violin created by the Italian luthier Giuseppe Bartolomeo Guarneri of Cremona (1698–1744). [ 1 ] Il Cannone is also known by the variants Il Cannone del Gesù , and the Cannon , often appended with Guarneri del Gesù , the Guarneri trademark.
Much of the price of a fine violin is determined not just by the quality of the instrument, but by the maker. Names like Amati, Guarneri, and Stradivari have become synonymous with excellence in craftsmanship and tone. Relatively unknown makers, capable of producing above-average violins, know that they might be able to command tremendous ...
A promising young violin maker named Antonio Stradivari was emerging, who in 1680 moved his workshop to the Piazza San Domenico, just a few metres away from the Casa Guarneri. [1] Because of this increasing local competition, by 1683, Pietro had moved to Mantua, leaving Giuseppe to work in their father's shop. [1]
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