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[1] [2] Prior to the addition of the chart, hip hop music had been profiled in the magazine's "The Rhythm & the Blues" column and disco-related sections, while some rap records made appearances on the related Hot Black Singles chart. [3] The inaugural number-one single on Hot Rap Singles was "Self Destruction" by the Stop the Violence Movement. [4]
Since Lady Gaga's "Bad Romance" in 2009, every video that has reached the top of the "most-viewed YouTube videos" list has been a music video. In November 2005, a Nike advertisement featuring Brazilian football player Ronaldinho became the first video to reach 1,000,000 views. [ 1 ]
The music video for LMFAO's song "Party Rock Anthem" stood as the most-liked video on YouTube in 2012, with 1.56 million likes, until the video for Psy's "Gangnam Style" surpassed it in September that year with more than 1.57 million likes.
50 Cent was named the number-one Rap Songs artist of the 2000s by Billboard. Hot Rap Songs is a record chart published by the music industry magazine Billboard which ranks the most popular hip hop songs in the United States. Introduced by the magazine as the Hot Rap Singles chart in March 1989, the chart was initially based solely on reports from a panel of selected record stores of weekly ...
Editor’s note: The following article is an op-ed, and the views expressed are the author’s own. Read more opinions on theGrio. One of The post 6 of the best storytelling rap songs ever ...
Hot Rap Songs (formerly known as Hot Rap Tracks and Hot Rap Singles) is a chart released weekly by Billboard in the United States. It lists the 25 most popular hip-hop/rap songs, calculated weekly by airplay on rhythmic and urban radio stations and sales in hip hop-focused or exclusive markets.
Hot Rap Songs is a record chart published by the music industry magazine Billboard that ranks the most popular hip hop songs in the United States. 77 songs topped Hot Rap Songs in the 2010s. The first number-one song of the decade was "Empire State of Mind" by Jay-Z featuring Alicia Keys. [1]
The lyrical themes regarding the culture and the way of life of inner city youth that surface in Radio, including the growing and popular b-boy attitude ("I Can't Live Without My Radio", "Rock the Bells") and teenage promiscuity ("Dear Yvette"), along with LL's "teenage energy", as described by writer Nelson George, helped appeal to a younger music audience and were essential in the album's ...