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Many poets of the Harlem Renaissance were inspired to tie threads of African-American culture into their poems; as a result, jazz poetry was heavily developed during this time. " The Weary Blues " was a notable jazz poem written by Langston Hughes. [ 29 ]
The Poetry Foundation wrote that poets in the Harlem Renaissance "explored the beauty and pain of black life and sought to define themselves and their community outside of white stereotypes." [1] Poets such as Langston Hughes, James Weldon Johnson, and Countee Cullen became well known for their poetry, which was often inspired by jazz. [2]
The Harlem Renaissance, also known as the New Negro Movement, was a cultural, social, and artistic explosion centered in Harlem, New York, and spanning the 1920s.This list includes intellectuals and activists, writers, artists, and performers who were closely associated with the movement.
Effie Lee Newsome (1885–1979), born Mary Effie Lee in Philadelphia, Pennsylvania, was a Harlem Renaissance writer. [1] [2] She mostly wrote children's poems, and was the first famous African-American poet whose work was mostly in this area. [2]
James Mercer Langston Hughes (February 1, 1901 [1] – May 22, 1967) was an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri. One of the earliest innovators of the literary art form called jazz poetry, Hughes is best known as a leader of the Harlem Renaissance. He famously wrote about the period that ...
Anne Bethel Spencer (born Bannister; February 6, 1882 – July 27, 1975) was an American poet, teacher, civil rights activist, librarian, and gardener.She was a prominent figure of the Harlem Renaissance, also known as the New Negro Movement, despite living in Virginia for most of her life, far from the center of the movement in New York.
"Northboun'" won an important prize in Opportunity (where it was first published in 1926) and has been collected in several anthologies, including Golden Slippers (1941), edited by Harlem Renaissance poets Countee Cullen and Arna Bontemps, [2] and Lorraine E. Roses and Ruth E. Randolph's Harlem's Glory: Black Women Writing, 1900-1950 (Harvard University Press, 1996).
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]