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A red cedar Tsimshian bentwood box dating from the 1880s, on display at the UBC Museum of Anthropology. Bentwood boxes are a traditional item made by the First Nations people of the North American west coast including the Haida, Gitxsan, Tlingit, Tsimshian, Sugpiaq, Unangax, Yup'ik, Inupiaq and Coast Salish. These boxes are generally made out ...
Haida artist Lisa Telford uses cedar bark to weave both traditional functional baskets and impractical but beautiful cedar evening gowns and high-heeled shoes. [60] A range of native grasses provides material for Arctic baskets, as does baleen, which is a 20th-century development. Baleen baskets are typically embellished with walrus ivory ...
These methods are not only used for Tazouaqt, but they are used to draw geometric patterns for all other traditional arts: carved wood, plaster, stone or marble, chiseled or engraved metal, zellige, etc. [4] [5] Depending on the surface to be painted, the type of geometric pattern has a coefficient. It is determined by a calculation specific to ...
Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall ( fresco ) or on vellum (used for miniatures in illuminated manuscripts ).
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Norval Morrisseau, Artist and Shaman between Two Worlds, 1980, acrylic on canvas, 175 x 282 cm, National Gallery of Canada, Ottawa Woodlands style, also called the Woodlands school, Legend painting, Medicine painting, [1] and Anishnabe painting, is a genre of painting among First Nations and Native American artists from the Great Lakes area, including northern Ontario and southwestern Manitoba.
The last image we have of Patrick Cagey is of his first moments as a free man. He has just walked out of a 30-day drug treatment center in Georgetown, Kentucky, dressed in gym clothes and carrying a Nike duffel bag.
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