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"Breakaway" is a folk-pop song with a length of three minutes and 57 seconds. [10] [11] It is composed in the key of C major, with a tempo of 160 beats per minute. [12]T.U. Dawood of Dawn lauded the song for being the best track on the album, writing ""Breakaway" is an enchanting single that will have you humming along to its infectious, gentle chorus and the inspiring lyrics."
[65] [66] At the 2005 Teen Choice Awards, Breakaway won four awards, including a Choice Album award. [67] At the TMF Awards, the album enabled Clarkson to win three awards, including a Best Pop Artist and a Best Female Artist award. [68] [69] Breakaway also appeared on decade-end best-of lists. Newsweek ranked it as the ninth best album of the ...
The title track became a hit for Art Garfunkel, and "I Wanna Stay with You" was a U.S. Pop (#49) hit, U.S. AC (#27) hit and it reached number 6 in United Kingdom. [1] A second hit from the album, " Heart on My Sleeve ," also charted in both Canada and the U.S., reaching the Top 20 on the U.S. Easy Listening chart, number six in the United ...
In 1968, the Chambers Brothers' version of this song reached number 37 on the Billboard Hot 100 singles chart. [2] In Canada it reached number 29. [3]The Blues Brothers Band performed the song in full in the performance for its 1990 live album The Blues Brothers Band Live in Montreux, which was included in the album.
A demo version performed by DeShannon was also recorded but remained unreleased until a 1994 compilation. "Breakaway" is today generally a better-remembered song than the A-side of Thomas' record, [1] [2] largely due to Ullman's 1983 hit cover of the song. It has become a staple in Thomas' live performances and appears on several later Irma ...
J.B. Harold Murder Club is the first in the Japanese J. B. Harold series of murder mystery graphic adventure games, which includes Manhattan Requiem (1987), [11] Kiss of Murder (1988), D.C. Connection (1989), [12] and Blue Chicago Blues (1995). [11] J.B Harold Murder Club was the first title in the series to be released in the United States. [13]
Prime Video Red, White and Royal Blue director Matthew López initially thought he had his work cut out for him when the first cut of the movie was three-hours long — but as he exclusively ...
Pee Wee's Blues: The Complete Aladdin and Imperial Recordings, Capitol-EMI 36292 (1996) Blues After Hours: The Essential Pee Wee Crayton, Blues Encore 52045 (1996), recordings made for numerous labels, 1947–1956; The Modern Legacy, Volume 1, Ace CHD-632 (1996) Early Hour Blues, Blind Pig 5052 (1999), CD containing both Murray Brothers albums