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The Gates of Hell (French: La Porte de l'Enfer) is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.
The Thinker (French: Le Penseur), by Auguste Rodin, is a bronze sculpture depicting a nude male figure of heroic size, seated on a large rock, leaning forward, right elbow placed upon the left thigh, back of the right hand supporting the chin in a posture evocative of deep thought and contemplation.
This list is incomplete ; you can help by adding missing items. (February 2011) The Thinker in front of the Rodin Museum in Philadelphia This is a list of The Thinker sculptures made by Auguste Rodin. The Thinker, originally a part of Rodin's The Gates of Hell, exists in several versions. The original size and the later monumental size versions were both created by Rodin, and the most valuable ...
The original was a 27.5-inch (700 mm) high bronze piece created between 1879 and 1889, designed for the Gates' lintel, from which the figure would gaze down upon Hell. While The Thinker most obviously characterizes Dante, aspects of the Biblical Adam , the mythological Prometheus , [ 17 ] and Rodin himself have been ascribed to him.
Malcolm Lowry paralleled Dante's descent into hell with Geoffrey Firmin's descent into alcoholism in his epic novel Under the Volcano (1947). In contrast to the original, Lowry's character explicitly refuses grace and "chooses hell," though Firmin does have a Dr. Vigil as a guide (and his brother, Hugh Firmin, quotes the Comedy from memory in ...
The gates of hell are various places on the surface of the world that have acquired a legendary reputation for being entrances to the underworld. Often they are found in regions of unusual geological activity, particularly volcanic areas, or sometimes at lakes, caves, or mountains.
Despair (French: Le Désespoir) or Despair at the Gate (French: Désespoir de la Porte) is a sculpture by Auguste Rodin that he conceived and developed from the early 1880s to c. 1890 as part of his The Gates of Hell project. The figure belongs to a company of damned souls found in the nine circles of Hell described by Dante in The Divine Comedy.
Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio.It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology.
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related to: the thinker gates of hell and heaven meaning