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Leitmotif associated with Siegfried's horn call in Richard Wagner's 1876 opera, Siegfried. A leitmotif or Leitmotiv [1] (/ ˌ l aɪ t m oʊ ˈ t iː f /) is a "short, recurring musical phrase" [2] associated with a particular person, place, or idea.
The series music became the most successful of Shore's career, earning three Oscars, two Golden Globes, and three Grammys, among other nominations. Some of his themes or leitmotifs (like the Shire theme) became individually popular. The music has attracted the interest of musicologists and Tolkien scholars. It is performed by choirs and ...
Hans Zimmer was the composer of this particular track. Most of the music used in this piece, as well as the title, comes from Gordon's final monologue when he describes Batman as, "a silent guardian, a watchful protector, a dark knight"; other parts of the track are used in the end credits.
Interstellar: Original Motion Picture Soundtrack is the soundtrack album composed by Hans Zimmer for the 2014 film Interstellar by Christopher Nolan.The soundtrack garnered critical acclaim and was nominated for the Academy Award for Best Original Score [1] and the Grammy Award for Best Score Soundtrack for Visual Media.
Jonathan Broxton of Movie Music UK said the time and effort it took to write a review of the first season's score was worth it, praising it as the best of McCreary's career and calling it an astonishing achievement that lived up to the high bar set by Shore with the films. Broxton discussed the various themes and techniques used by McCreary and ...
Publicity still showing music for The Wizard of Oz being recorded — ironically, for a deleted scene, the "Triumphant Return". The songs from the 1939 musical fantasy film The Wizard of Oz have taken their place among the most famous and instantly recognizable American songs of all time, and the film's principal song, "Over the Rainbow", is perhaps the most famous song ever written for a film.
[155] The music and sound effects are also used for comic effect in the films: the laboratory of Hugo Drax is opened by touchtones that play the tune of Close Encounters of the Third Kind, [155] whilst when Bond and Anya are seen walking across the desert in The Spy Who Loved Me, the theme from Lawrence of Arabia is heard. [154]
The music of Salome includes a system of leitmotifs, or short melodies with rich and symbolic meanings. Some are clearly associated with people such as Salome and Jochanaan (John the Baptist). Others are more abstract in meaning. [16] Strauss's use of leitmotifs is complex, with both symbolism and musical form subject to ambiguity and ...