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According to The New Grove Dictionary of Music and Musicians, "the terms 'bağlama' and 'saz' are used somewhat interchangeably in Turkey. 'Saz' is generally used interchangeably with 'enstrüman' (instrument) and it is used to refer single or group of musical instruments like 'üflemeli sazlar' (wind instruments). [2]
Ashik Ağalar Mikayılov playing the saz Ashugh Jivani (center, playing the kamani) with instrumentalists Soviet stamp from 1962 devoted to Sayat-Nova's 250 anniversary.. An ashik (Azerbaijani: aşıq, azb:آشؽق; Turkish: âşık; —all from Azerbaijani: aç) or ashugh (Armenian: աշուղ; Georgian: აშუღი) [1]: 1365 [2] [3] is traditionally a singer-poet and bard who ...
The serial album titled Muhabbet ("Small talk"), which he recorded with Musa Eroğlu, Muhlis Akarsu, and later Yavuz Top, helped introduce Turkish folk music to broad masses after 1980. [ 2 ] Markoff comments on one of his performances that "Sağ has been consistent in his truly creative approaches to refashioning standard baglama repertoire.
Described as "Turkey’s most beloved alternative music purveyors," [3] Baba Zula create a unique psychedelic sound, combining traditional Turkish instruments, electronica, reggae, and dub. The core of their sound is the saz, a Turkish bouzouki-like stringed instrument with a bright, high-pitched sound. [ 3 ]
This is a list of Turkish musicians, musicians born in Turkey or who have Turkish citizenship or residency. This is a dynamic list and may never be able to satisfy particular standards for completeness.
Wikipedia categories named after Turkish musical groups (3 C) Pages in category "Turkish musical groups" The following 24 pages are in this category, out of 24 total.
Orientalism, Masquerade and Mozart's Turkish Music (Royal Musical Association Monographs S.). Ashgate. ISBN 0-306-76248-X. Jäger, Ralf Martin (1996). Türkische Kunstmusik und ihre handschriftlichen Quellen aus dem 19. Jahrhundert (Schriften zur Musikwissenschaft aus Münster 7). Wagner: Eisenach. ISBN 3-88979-072-0. Karakayali, Nedim (2010).
Gülçin Yahya Kaçar 2002. In 1988, she started to work as a lecturer of oud and flute in Music Department of Selcuk University.In 1993, she received her master's degree called Performance-note difference in Turkish Saz Music and in 2000, she obtained her doctorate called Oud Improvisations of Yorgo Bacanos. [2]