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At the Movies [50] "Up your nose with a rubber hose" Vinnie Barbarino: Welcome Back, Kotter: 1975 [50] [51] "We are two wild and crazy guys!" Steve Martin and Dan Aykroyd as Czech playboys: Saturday Night Live [50] "Welcome to the O.C., bitch" Luke Ward: The O.C. [50] "Well, isn't that special?" The Church Lady: Saturday Night Live [49] [50 ...
With the Civil War nearing an end, rebel soldiers Will Owen, Jesse Wallace, and Clint Priest escape from a Union stockade in Missouri. A bandit leader and Confederate sympathizer, Keeley, recruits them to join a wagon train run by Don Chaves that is carrying a million dollars' worth of gold bullion out of Santa Fe, New Mexico.
1950s; 1960s; 1970s; 1980s; 1990s; 2000s; Pages in category "1950s slang" The following 4 pages are in this category, out of 4 total. This list may not reflect recent ...
5. Muffin walloper. Used to describe: An older, unmarried woman who gossips a lot. This colorful slang was commonly used in the Victorian era to describe unmarried old ladies who would gossip ...
The dominant name for the subculture during the 1950s was hoods, in reference to their upturned collars, with many also calling them J.D.s (abbreviated from juvenile delinquents). [8] Within Greater Baltimore during the 1950s and early 1960s, greasers were colloquially referred to as drapes and drapettes. [12] [13] [14]
This movie was one of the few Hollywood offerings to deal realistically with kids from the wrong side of the tracks, and to portray honestly children whose parents had abused, neglected, or otherwise failed them." [24] Stéphane Delorme, in his book on Coppola, wrote: "The Outsiders is a wonder. And wonder is also the subject of the film.
No wukkas. No worries, don’t worry about it, all good. She’ll be right. According to ANU, Australian English often uses the feminine pronoun “she,” whereas standard English would use “it.”
A frame from the "Madison" scene of Bande à part.From left to right: Arthur (Claude Brasseur), Odile (Anna Karina), and Franz (Sami Frey). In a famous sequence in Jean-Luc Godard's 1964 film Bande à part (Band of Outsiders, 1964), the main characters engage in a dance, which is not named in the film, but which the actors later referred to as the "Madison dance". [11]
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