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Legend has it that Adikpo Songo from Akpagher; Mbatyav in the present day Gboko local government area of Benue State, Nigeria, was the originator of Kwagh-hir.Adikpo Songu, in an interview with Iyorwuese Hagher, a scholar of Kwagh-hir, attempted to corroborate this view held by several kwagh-hir group leaders and notable elders in Tivland.
Together the people gathered at the event become a “band of spirits”; they are shown honor and reverence during their visitation here on Earth. In addition to the masks and costumes worn during the masquerades, another vital component is the music and dance used to create the atmosphere that is conducive to capturing the essence of the spirit.
Wallah, -walla, -wala, or -vala (-wali fem.), is a suffix used in a number of Indo-Aryan languages, like Hindi/Urdu, Gujarati, Bengali or Marathi. It forms an adjectival compound from a noun or an agent noun from a verb. [ 1 ]
Igala people traditionally worship the supreme being Ojo, as well as their divine ancestral spirits. [7] Masquerades are an important aspect of Igala art and a prime example of the kingdom's cultural exchange with its neighbouring groups. [8] Igala art, dating centuries back, also feature in Nigerian body decoration [9] and cultural ...
Igbabonelimhin is an acrobatic, masquerade dance-theatre common with the Esan people of Edo State of Nigeria. The word literally means “clapping for the spirit”. [1] Igbabonelimhin is a compound word for 'Igbabo' which literary means to clap and 'Elimlin' which means Spirit. Conjuctively, it means to clap hands or commune with the spirit.
The Igbo people have a melodic and symphonic musical style. Instruments include opi otherwise known as Oja [5] [6] a wind instrument similar to the flute, igba, and ichaka. [7] Another popular musical form among Igbo people is highlife, which is a fusion of jazz and traditional music and widely popular in West Africa.
Dance. The term African dance refers mainly to the dances of subsaharan Africa. The music and dances of northern Africa and the Sahara are generally more closely connected to those of the Near East. Also the dances of immigrants of European and Asian descent (e.g. in South Africa) are not covered by this article.
Nwoko's early sculpture and painting style were inspired by the findings at Nok. [8] A lot of his early sculptures and paintings can be described as one of extrapolation. His terracotta's were designs that extended and expressed the art forms of the Ancient Nok with less deviation from an ancient African theme. This allowed the work to express ...