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Cielito lindo, vienen bajando Un par de ojitos negros, Cielito lindo, de contrabando. Estribillo: Ay, ay, ay, ay, Canta y no llores, Porque cantando se alegran, Cielito lindo, los corazones. Pájaro que abandona, Cielito lindo, su primer nido, Si lo encuentra ocupado, Cielito lindo, bien merecido. (Estribillo) Ese lunar que tienes,
The lyrics for the Limerick Song are usually ribald and sometimes original. Here are some from the public domain book Sea Songs and Ditties: There was a young lady named Lou who said as the parson withdrew--"Now the Vicar is quicker, And thicker, and slicker, And two inches longer than you. [1] Chorus: That was a cute little rhyme
Purely instrumental versions include arrangements for dance orchestras, jazz combinations and salon musicians. The autograph manuscript of the song is at PAU. This song should not be confused with the Mexican Cielito Lindo, the chorus of which begins, "Ay, ay, ay, ay". [1]
"You, Me, and Us" is a popular song published in 1956, with music based on the Mexican traditional folk song, "Cielito Lindo". [1] The song is credited to John Jerome for both words and music, but undoubtedly only the lyrics were actually his creation. A recording made by Alma Cogan was popular in 1957.
Bust of composer Quirino Mendoza y Cortés with plaque showing measures of "Cielito Lindo" and its lyrics. Quirino Mendoza y Cortés (May 10, 1862 – 1957) was a Mexican composer of the famous traditional songs "Cielito Lindo" and "Jesusita en Chihuahua". He was born in Santiago Tulyehualco, Xochimilco, Mexico City in 1862. [1]
Maurizio Cattelan’s viral creation, titled “Comedian,” has proven a sound investment for one collector: One of the artwork’s three “editions” smashed estimates to sell for $6.24 ...
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
By 2003, Mallinson, then in his late teens, had been downloading and comparing Jackson and Sonic tracks for years. That September, he explained his Sonic/Jackson conspiracy theory in a post on Sonic Classic, one of the countless message board communities that dominated early-2000s Internet culture.