Search results
Results from the WOW.Com Content Network
The Faerie Queene is an English epic poem by Edmund Spenser.Books I–III were first published in 1590, then republished in 1596 together with books IV–VI. The Faerie Queene is notable for its form: at over 36,000 lines and over 4,000 stanzas, [1] it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian ...
The encounter, meant to expose the Redcrosse Knight to the faults of pride, more or less fails. He comes face-to-face with the short-lived pleasure of pridefulness, especially in meeting Lucifera, who is, allegorically, the antithesis to the good-natured Faerie Queene (Queen Elizabeth). Despite experiencing the fabrication of both place and ...
The Fairy-Queen (1692; Purcell catalogue number Z.629) is a semi-opera by Henry Purcell; a "Restoration spectacular". [1] The libretto is an anonymous adaptation of William Shakespeare's comedy A Midsummer Night's Dream. [2] First performed in 1692, The Fairy-Queen was composed three years before Purcell's death at the age of 35. Following his ...
The epic poem The Faerie Queene frontispiece, printed by William Ponsonby in 1590. Spenser's masterpiece is the epic poem The Faerie Queene. The first three books of The Faerie Queene were published in 1590, and the second set of three books was published in 1596. Spenser originally indicated that he intended the poem to consist of twelve books ...
Belphoebe (or Belphebe, Belphœbe) is a character in Edmund Spenser's poem The Faerie Queene (1590), a representation of Queen Elizabeth I (conceived of, however, as a pure, high-spirited maiden, rather than a queen). [1]
Orgoglio is a literary character in Edmund Spenser's famous epic The Faerie Queene. He appears in the seventh canto of Book One as a beast and attacks the main character, Redcrosse, who symbolizes the ultimate Christian knight, during a moment of weakness. "Orgoglio" means "pride" in Italian.
Archimago is a sorcerer in The Faerie Queene by Edmund Spenser.In the narrative, he is continually engaged in deceitful magics, as when he makes a false Una to tempt the Red-Cross Knight into lust, and when this fails, conjures another image, of a squire, to deceive the knight into believing that Una was false to him.
The sonnets of Amoretti draw heavily on authors of the Petrarchan tradition, most obviously Torquato Tasso and Petrarch himself. [5] " In Amoretti, Spenser often uses the established topoi, for his sequence imitates in its own way the traditions of Petrarchan courtship and its associated Neoplatonic conceits". [1]