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Mehfil or mahfil (Urdu:محفل), alternatively known as Bazm (Urdu:بزم) is a formal venue where indoor recreational activities such as poetry , singing, music, and dance are entertained in parts of the Indian subcontinent.
It is an event (called mehfil, Mushairi) where poets gather to perform their works. A mushaira is part of the Culture of North India, Pakistan and the Deccan, particularly among the Hyderabadi Muslims, and it regarded as a forum for free self-expression. [1]
The word sama is often still used in Central Asia and Turkey to refer to forms very similar to Qawwali, and in India, Pakistan, Afghanistan and Bangladesh, the formal name used for a session of Qawwali is Mehfil-e-Sama. Originally, musical instrument use in Qawwali was prohibited. The following conditions were initially placed on Qawwali: [4]
Mahfil or Mehfil may refer to: Müezzin mahfili (Turkish), or dikka, a raised platform in a mosque Mehfil or mahfil (Urdu), an indoor gathering featuring music, dance, and poetry reading
Tawaif Mah Laqa Bai dancing in court. Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
Under Baloch cultural norms, elders of the potential groom's family visit the home of the potential bride's family and make an official request for their willingness for the two to be married. In the past, the decision to accept a proposal would be made by the family elders of the potential bride.
Arab culture is the culture of the Arabs, from the Atlantic Ocean in the west to the Arabian Sea in the east, in a region of the Middle East and North Africa known as the Arab world. The various religions the Arabs have adopted throughout their history and the various empires and kingdoms that have ruled and took lead of the civilization have ...
A ghazal is composed of five or more ashaar (singular she'r), which are complete texts even when pulled from the rest of the ghazal. [4] In the vast majority of ghazals, there is not logical connection or flow between ashaar in terms of content or theme.