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Sing it loud, I'm black and I'm proud", to which Will replies "See, my man Cornflake's got the spirit. He's a little confused but he's got the spirit". The song is also referenced in the Temptations song "Message From a Black Man". "Let's Take it to the Stage" by Funkadelic gives a nod to this song with the lyric "Say it loud, I'm funky and I'm ...
"I'm Not Afraid" is a song by English singer-songwriter Black, which was released in 1987 as the fourth single from his debut studio album Wonderful Life. The song was written by Black and Dave "Dix" Dickie, and produced by Robin Millar. "I'm Not Afraid" reached number 78 in the UK Singles Chart and remained in the top 100 for three weeks. [2]
Maybe Tomorrow is the debut album by British rock band Badfinger. Maybe Tomorrow is the only release under the band's original name as The Iveys. It was issued in 1969 on the Apple label in Japan, West Germany and Italy. Although the album was scheduled to be released worldwide, the release in the US and UK at that time was halted without ...
This Black History Month and Grammy weekend are prime moments to remember the universal power of Black music. “Notes on […] The post From ‘We Are the World’ to ‘Worship,’ let’s ...
Dick Van Dyke knows he won't be around forever, but when death comes, he won't be afraid.. The legendary entertainer, 98, stars in Coldplay's latest music video for their song, "All My Love," and ...
When asked by host Stephen Colbert to name "Elton John's top five Elton John songs," the father of two first exclaimed, "Oh, for Christ's sake," before he detailed, "I would say anything off the ...
Matthew 6:34 is “Therefore do not worry about tomorrow, for tomorrow will worry about itself. Each day has enough trouble of its own.” It is the thirty-fourth, and final, verse of the sixth chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount.
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...