Search results
Results from the WOW.Com Content Network
"Towards an Inventory of Philippine Musical Instruments: A Checklist of the Heritage from Twenty-three Ethnolinguistic Groups" (PDF). Asian Studies. Quezon City, Philippines: University of the Philippines Diliman. OCLC 6593501. Archived from the original (PDF) on September 20, 2023; Dioquino, Corazon (October 22, 2009).
A palendag, a Philippine bamboo flute of the Maguindanaon people. The palendag, also called Pulalu (Manobo [1] and Mansaka), Palandag (), [2] Pulala and Lumundeg is a type of Philippine bamboo flute, the largest one used by the Maguindanaon, a smaller type of this instrument is called the Hulakteb (Bukidnon). [3]
Sulibao (right) on a 2016 stamp sheet of the Philippines. A solibao is a conical tenor drum played by the Bontoc and Ibaloi people of the Philippines. It is played with the palms of both hands. It usually appears as part of an ensemble along with the kimbal, pinsak, kalsa and palas. [1] Sulibao is made from a hollowed out log covered with deer ...
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .
Agung Percussion instrument Classification Idiophone Hornbostel–Sachs classification 111.241.2 (Sets of gongs) Developed Indonesia The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan ...
Most of the variations of the Philippine bamboo panpipes can be traced to northern Luzon, where the instrument is known by different names. In Balangaw, the instrument is called dad-ayu. In Bontoc, it is known as diwdiw-as. In Tingguian, dwdew-as. In Kankanai, diwas. [4] In these variations, the number of pipes ranges from five to eight.
Traditionally, the dabakan is considered a masculine instrument by the Maranao [2] and a feminine instrument by the Maguindanao [6] [9] but as a sign of the times, one could see both men and women handling the dabakan. [5] In wooden kulintang ensembles, the takemba, a bamboo zither of the Manobo, is usually substituted for the dabakan part. [4]
Polychordal tube zithers in the Philippines vary from place to place. Each instrument is different from the other by size, shape, aesthetic design, and the number of strings. The Kalinga kulibit has six or sometimes eleven strings. The Isneg ohitang has five strings: two in front and three in the back. The Ilonggot kollesing has five or six ...