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Example of a low-key photograph. Low-key photography is a genre of photography consisting of shooting dark-colored scenes by lowering or dimming the "key" or front light illuminating the scene (low-key lighting), and emphasizing natural [1] or artificial light [2] only on specific areas in the frame. [3]
A type of neutral density filter in which brightness is reduced more on one side of the filter than on the other, allowing the photographer to reduce the contrast between, for example, bright sky and dark land. HDR: High dynamic range. Techniques that allow a digital image to show a wider contrast range than current image sensors can record in ...
Images often contained stylistic consistency such as dramatic lighting, perspective, geometry, [clarification needed] use of monochrome/black and white, and high contrast. In founding the Photo-Secession, Stieglitz asserted that it was a “rebellion against the insincere attitude of the unbeliever, of the Philistine, and largely exhibition ...
Chiaroscuro is used in cinematography for extreme low key and high-contrast lighting to create distinct areas of light and darkness in films, especially in black and white films. Classic examples are The Cabinet of Dr. Caligari (1920), Nosferatu (1922), Metropolis (1927) The Hunchback of Notre Dame (1939), The Devil and Daniel Webster (1941 ...
Consequently, calotype photographs can show bold outlines and high-contrast details clearly, but low-contrast details and textures tend to be lost because of non-uniform paper transmittance. Paper texture effects are limiting in nature photography, for example, where one expects to capture subtle patterns such as those produced by plants ...
Lighting determines exposure and can be used to create effects such as low-key and high-key lighting, both of which involve the contrast between darker and lighter elements in a scene. [2] Lighting is especially important for monochrome photography, where there is limited to no color information, and exclusively includes the interplay of ...
The building is covered in the high contrast, chiaroscuro. It is heavily in the shadows, but still creates an overwhelming presence over the people that walk past it. These people are also shrouded in the contrast made evident with the clean lines and black and white nature of his photos and photography as a medium.
Preferring their "rich palette and high contrast," the Times chose to use Lowy's iPhone photos over his 35-millimeter photos. [ 12 ] His photos taken in Libya's war zone were published as a photoblog on NBC News online, [ 13 ] and were also featured in GQ . [ 14 ]