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One of the finest landscape painters of his day, he is mainly associated with pictures of cattle or sheep, [5] a fact that earned him the epithet "Cow Cooper". [8] Cooper collaborated between 1847 and 1870 with Frederick Richard Lee R.A. on several paintings, Lee undertaking the landscapes, and Cooper adding animals to complete the scene. [9]
California Spring (painting) Cart with Black Ox; Cart with Red and White Ox; Cattle of Helios; The Colossus (painting) The Cornell Farm; Cow tools; Cow Wallpaper; The Cow with the Subtile Nose; Cow's Skull: Red, White, and Blue; Cowboys and Herds in the Maremma; A Cowherd at Valhermeil, Auvers-sur-Oise; The Cows (painting) Cows and Groomers ...
Notability came in 1939 when Butler was commissioned by the education and agriculture ministries to create a series of pictures of farm animals to be placed in schools across Canada. The contract called for more than 500 "Standard Type" paintings of each breed of cattle, swine, horses, sheep, poultry and other Canadian livestock. Butler's ...
After staying in Old Lyme, Connecticut, as a guest of Florence Griswold, he eventually moved near Old Lyme in part because of his interest in painting their ever-present oxen, which Volkert described as "twice as good as cows at posing . . . oxen are always ready to stand still, but cows are more inquisitive and when a newcomer appears they ...
The Cows is a painting by Vincent van Gogh, produced in July 1890 during his stay in Doctor Gachet's home in Auvers-sur-Oise. It is based on an 1873 Paul van Ryssel etching Gachet owned of Jacob Jordaens 's Study of Five Cows , exhibited in the Palais des Beaux-Arts de Lille .
The style of the painting is deliberately primitive; the large cow occupies most of the canvas, in a greenish background, which seems to represent her pasture. The cow appears unusually large, in a brownish-yellow colour. Her eyes and nose seems also very big. The title of the painting is an ironic reference to that particular feature. [4]
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