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Thomas Nicol Williamson [1] (14 September 1936 – 16 December 2011) was a British actor. He was once described by playwright John Osborne as "the greatest actor since Marlon Brando ". He was also described by Samuel Beckett as "touched by genius" and viewed by many critics as "the Hamlet of his generation" during the late 1960s.
After that brief marriage, she reunited with Williamson. They were married from 1971 to 1977. Their son Luke Williamson was born in 1973, [3] but in 1976, she and Nicol Williamson parted temporarily [4] after Townsend began a relationship with Alan Price, her co-star in Alfie Darling. [5] Townsend ended her acting career in 1985.
The ensemble cast includes Madeline Kahn, Louise Fletcher, Ann-Margret, Eileen Brennan, Stockard Channing, Marsha Mason, Sid Caesar, John Houseman, Dom DeLuise, Abe Vigoda, James Coco, Phil Silvers, Fernando Lamas, Nicol Williamson, Scatman Crothers, Vic Tayback and Paul Williams. [4]
Her primary suspect was none other than Nicol Trowbridge (Rory Kinnear), the U.K.'s Prime Minister. ... (Simon Chandler) died just as he seemed close to revealing the ship-bombing plot to Kate's ...
Williamson, (Thomas) Nicol (1936–2011), actor, was born on 14 September 1936 at Beckford Lodge maternity hospital, Hamilton, Lanarkshire, the son of Hugh Williamson, a metallurgist and sometime hairdresser's assistant, and his wife, Mary Brown Hill, née Storrie. (He later gave the year of his birth in Who's Who and elsewhere as 1938.)
The marriage lasted for 14 months, ending when Marshall died. Anna Nicole Smith was completely left out of Marshall's will, which left the majority of his fortune to his son, E. Pierce Marshall. ...
A former Playboy model killed herself and her 7-year-old son after jumping from a hotel in Midtown New York City on Friday morning. The New York Post reports that 47-year-old Stephanie Adams ...
The Monthly Film Bulletin wrote: "The Bofors Gun, the first collaboration between Jack Gold, John McGrath and Nicol Williamson, was serious, memorable, compelling. In that film, as in Nicol Williamson's work as a whole, an essential element was the sense of an inner despair, self-directed and self-destructive in its intensity, but with a ...