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It has also been described as an anthem of the Korean pro-democracy movement [16] and credited with starting the South Korean protest music. [18] The ban on the song was lifted following pro-democracy protests in 1987. It remained popular for some time afterward. [6] It has been sung at political rallies as late as the 2000s. [19]
The other songs on the single are "1 Hunnit", and "Welcome". The lyrics are written by Park, and the song was produced by fellow Art of Movement member, Cha Cha Malone. In Korean, "Joah" translates literally to "like" (Korean: 좋아; Revised Romanization: Joha), or in context of the song, "I like you".
Mirotic is the fourth Korean studio album (seventh overall) by South Korean pop group TVXQ, released on September 26, 2008, by SM Entertainment. This is the group's last Korean album to feature members Jaejoong, Yoochun and Junsu. The album was a major commercial breakthrough and is TVXQ's most critically successful album to date.
The Korean lyrics were written by Yoo, with Japanese lyrics translated by Ryoji Sonoda. "Mirotic" was a commercial and critical success, reaching number one in several countries. The single peaked at number one on Japan's Oricon Singles Chart and was certified gold in both digital sales and physical shipments by the RIAJ.
Doraji is the Korean name for the plant Platycodon grandiflorus (known as "balloon flower" in English) as well as its root. Doraji taryeong is one of the most popular folk songs in both North and South Korea, and among Koreans in China. It is also a well known song in Japan, by the name Toraji (Japanese: トラジ). [2]
Saldaga (also known as As We Live or While You Live) is the second studio album by South Korean vocal group SG Wannabe, released through Mnet Media on March 23, 2005. The record spawned two number one singles: "Sin and Punishment", which received numerous awards both for the music video and for the song itself, and "Saldaga".
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Gasa (Korean: 가사) or kasa was a form of poetry popular during the Joseon period in Korea. Gasas were commonly sung, and were popular among yangban women. Jeong Cheol, a poet of the 16th century, is regarded as having perfected the form, which consisted of parallel lines, each broken into two four-syllable units.