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A 1521 Italian language edition of De architectura, translated and illustrated by Cesare Cesariano Manuscript of Vitruvius; parchment dating from about 1390. De architectura (On architecture, published as Ten Books on Architecture) is a treatise on architecture written by the Roman architect and military engineer Marcus Vitruvius Pollio and dedicated to his patron, the emperor Caesar Augustus ...
Vitruvius is the author of De architectura, libri decem, known today as The Ten Books on Architecture, [27] a treatise written in Latin on architecture, dedicated to the emperor Augustus. In the preface of Book I, Vitruvius dedicates his writings to giving personal knowledge of the quality of buildings to the emperor.
The order of words chosen by Vitruvius, with structural integrity coming before the utility, can be explained in two ways. Either the emphasis on firmness was driven by an understanding of architecture as an "art of building", or by the fact that buildings frequently outlive their initial purpose, so "functions, customs, ... and fashions ... are only transitory" (Auguste Perret), and ...
Alberti's Ten Books consciously echoes Vitruvius's writing, but Alberti also adopts a critical attitude toward his predecessor. In his discussion, Alberti includes a wide variety of literary sources, including Plato and Aristotle, presenting a concise version of the sociology of architecture.
An illustration of the primitive hut by Charles Dominique Eisen was the frontispiece for the second edition of Laugier's Essay on Architecture (1755). The frontispiece was arguably one of the most famous images in the history of architecture; it helped to make the essay more accessible and consequently it was more widely received by the public.
The moderately successful architect and engineer Vitruvius lived from c. 80 – c. 20 BCE, primarily in the Roman Republic. [15] He is best known for authoring De architectura (On Architecture), later called the Ten Books on Architecture, which is the only substantial architecture treatise that survives from antiquity. [16]
He was praised by his fellow classicists as an interpreter of Vitruvius. His translation of Vitruvius's The Ten Books of Architecture , based on an older translation by Valentine Rose (second edition, Leipzig, 1899), remains in print today, though he died before completing it, the final parts being translated by Albert A. Howard.
Vitruvius' technical language is fraught with difficulties. Leon Battista Alberti was of the mind that the Latins thought Vitruvius was writing Greek and the Greeks, Latin. The impenetrable Latin and the lack of illustrations gave freedom to the Renaissance designers, who were able to interpret antique architecture in their own image, all' antica.
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