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The music of the Northern Mariana Islands is dominated by the folk music of the Chamorros, which remains an important part of the islands' culture, though elements of music left by American, German, Spanish and Japanese colonizers are also in evidence. There are both Carolinian and Chamorro traditional chant styles.
Chamorro chants and Kantan Chamorrita (Chamorrita singing), a kind of Chamorro poetry, are also important elements of Guamanian music. Kantan Chamorrita is a kind of improvised poetry with a call and response format that is documented back to 1602 and remains a vital part of Chamorro culture. In Kantan Chamorrita, individuals and groups trade ...
Stand Ye Guamanians (CHamoru: Fanohge CHamoru), officially known as the Guam Hymn (CHamoru: Kantikun Guahan), is the regional anthem of Guam.The original English lyrics and music were written and composed in 1919 by Ramon Manilisay Sablan.
How Rhenzy Feliz Pulled Off the ‘Penguin’ Finale Courtesy of Ruben Chamorro. ... I used music a lot. I made a playlist called “Vic.” There’s one song by Eminem called “8 Mile,” and I ...
The culture of Guam reflects traditional Chamorro customs in a combination of indigenous pre-Hispanic forms, as well as American and Spanish traditions. [1] Post-European-contact CHamoru Guamanian culture is a combination of American, Spanish, Filipino and other Micronesian Islander traditions.
" Gi Talo Gi Halom Tasi" (Chamorro pronunciation: [gi tæloʔ gi hɑlum tɑsi]; English: "In the Middle of the Sea"), also known as "Satil matawal Pacifico" (Carolinian pronunciation: [sætil mɐtɐwɐl pɐsifiku]), is the regional anthem of the Northern Mariana Islands, a commonwealth of the United States.
Welcome to The Playlist: my weekly column that lets you know who and what to play — when it comes to music or other things in my rotation — for the upcoming week in fantasy basketball. Each ...
The eleaotua is a musical bow played in Guam, also spelled eluaotuas, eleaotuchan, and elimau-tuyan.This gourd-resonating musical bow likely has common roots with the Brazilian berimbau, due to constant trade between Asia and South America in the nineteenth century, during which the instrument may have been introduced to the Chamorro people. [1]