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Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
The colored glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
English Gothic stained glass windows were an important feature of English Gothic architecture, which appeared between the late 12th and late 16th centuries.They evolved from narrow windows filled with a mosaic of deeply-coloured pieces of glass into gigantic windows that filled entire walls, with a full range of colours and more naturalistic figures.
Tom Holdman (born April 8, 1970) is a glass artist located in Lehi, Utah, in the United States. His works include the story telling stained-glass windows in the Orem City Library in Orem, Utah; the Roots of Knowledge stained-glass window at Utah Valley University (UVU); and pieces for more than 50 temples of the Church of Jesus Christ of Latter-day Saints (LDS Church).
In 2001, the studio received the monumental commission to design and create the entire stained glass fenestration for St. Martin’s Episcopal Church in Houston, Texas. The 36 window project, completed in May 2004, is the studio’s largest-ever one-time commission. Over 100,000 individual pieces of hand-cut glass make up the clerestory windows ...
Traditionally, leadlight windows differ from stained glass windows principally in being less complex in design and employing simpler techniques of manufacture. Stained glass windows, such as those commonly found in churches, usually include design components that have been painted onto the glass and fired in a kiln before assembly.
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