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Inception ' s premiere was held in London on July 8, 2010; it was released in both conventional and IMAX theaters beginning on July 16, 2010. [14] [15] Inception grossed over $837 million worldwide, becoming the fourth-highest-grossing film of 2010.
Walter C. Pfister (born July 8, 1961) is an American director and former cinematographer, who is best known for his work with filmmaker Christopher Nolan.Some of his collaborations with Nolan include Memento (2000), The Dark Knight Trilogy (2005–2012), and Inception (2010).
Inception is a 2010 science fiction action film written and directed by Christopher Nolan, who also produced it with Emma Thomas, his wife, under their label Syncopy.It stars Leonardo DiCaprio as a professional thief who steals information by infiltrating the dreams of his victims and is promised to have his criminal status cleared as payment for the implantation of an idea into a target's ...
[68] The film made US$825 million in worldwide box-office receipts, and Cotillard and DiCaprio's pairing in Inception ranked eighth on the Forbes list of "Hollywood's Top Earning On-Screen Couples." [69] That same year, she also starred as Marie, an environmentalist, in Guillaume Canet's drama Little White Lies (Les petits mouchoirs). [21]
After earning his bachelor's degree in English literature in 1993, Nolan worked as a script reader, camera operator and director of corporate films and industrial films. [19] [21] [22] He directed, wrote and edited the short film Larceny (1996), [23] which was filmed over a weekend in black and white with limited equipment and a small cast and crew.
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Inception: Music from the Motion Picture is the soundtrack to the 2010 film of the same name directed by Christopher Nolan, released under Reprise Records on July 13, 2010. Hans Zimmer scored the film, marking his third collaboration with Nolan following Batman Begins and The Dark Knight .
BRAAAM is a loud, low sound typically produced using real or synthesized brass instruments.One of the best-known examples also involved a prepared piano.Seth Abramovitch of The Hollywood Reporter described the sound as "like a foghorn on steroids" which is "meant to impart a sense of apocalyptic momentousness". [3]