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Nautilus is a black-and-white photograph taken by Edward Weston in 1927 of a single nautilus shell standing on its end against a dark background. It has been called "one of the most famous photographs ever made" and "a benchmark of modernism in the history of photography." [1]
Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. 1968 group portrait of a Swedish musical's cast. Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.
The Zone System is a photographic technique for determining optimal film exposure and development, formulated by Ansel Adams and Fred Archer. [1] Adams described the Zone System as "[...] not an invention of mine; it is a codification of the principles of sensitometry, worked out by Fred Archer and myself at the Art Center School in Los Angeles, around 1939–40."
Specific black-and-white photographs. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles. See also Category:Color photographs
In film photography, monochrome is typically the use of black-and-white film. Originally, all photography was done in monochrome . Although color photography was possible even in the late 19th century, easily used color films, such as Kodachrome , were not available until the mid-1930s.
Stephen Shore (born October 8, 1947) is an American photographer known for his images of scenes and objects of the banal, and for his pioneering use of color in art photography. [1] His books include Uncommon Places (1982) and American Surfaces (1999), photographs that he took on cross-country road trips in the 1970s.
Most films and papers used for color photography today are chromogenic, using three layers, each providing their own subtractive color. Some chromogenic films provide black-and-white negatives, and are processed in standard color developers (such as the C-41 process). In this case, the dyes are a neutral color.
Benjamen Chinn's work evidenced the influence of the world of black and white art photography in the United States, during the 1940s and 1950s. His work also became influential for many new and already esteemed artists. While his work has had a number of exhibitions (see below), it has largely lain unrecognized until the turn of the 21st century.
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