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Giotto di Bondone (Italian: [ˈdʒɔtto di bonˈdoːne]; c. 1267 [a] – January 8, 1337), [2] [3] known mononymously as Giotto [b], was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period. [7]
Giotto made the closest approach to Halley's Comet and provided the best data for this comet. [10] Giotto was the first spacecraft: to provide detailed pictures of a cometary nucleus. [11] to make a close flyby of two comets. Young and active comet Halley could be compared to old comet Grigg–Skjellerup.
In the film context, for Italian audiences giallo refers to any kind of murder mystery or horror thriller, regardless of its national origin. [8]Meanwhile, English-speaking audiences have used the term giallo to refer specifically to a genre of Italian-produced thriller-horror films known to Italian audiences as giallo all'italiana.
Vito Giusto Scozzari (January 26, 1918 – June 5, 1996), also known as Vito Scotti, was an American character actor who played both dramatic and comedy roles on Broadway, in films, and later on television, primarily from the late 1930s to the mid-1990s.
Two of the works in Munich, the Last Supper and the Crucifixion. The Life of Christ is a series of seven paintings in tempera and gold on panel, attributed to Giotto and dating to around 1320–1325.
Padua Crucifix (c. 1300-1305). The Padua Crucifix (Italian: Crocifisso di Padova) is a painting in tempera on poplar panel by Giotto of c. 1303–1305. [1] Originally hanging in the centre of the Scrovegni Chapel in Padua, above the latticework of the iconostasis, it was probably contemporaneous with his frescoes in the same chapel. [2]
The Decameron (Italian: Il Decameron) is a 1971 anthology film written and directed by Pier Paolo Pasolini, based on the 14th-century allegory by Giovanni Boccaccio. It is the first film of Pasolini's Trilogy of Life, the others being The Canterbury Tales and Arabian Nights. Each film was an adaptation of a different piece of classical ...
The Approval, on the other hand, is very similar to Giotto's fresco in the Basilica of Saint Francis of Assisi Innocence III Confirms the Franciscan Order and is placed in a similar room with arches and shelves to create perspective. The Sermon stands out for its simplicity and abstraction, thanks to its gold background without decorations.