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Robert James Thomas (born August 15, 1965) is an American author, producer, director and screenwriter. He created the television series Veronica Mars (2004–2007, 2019 [ 1 ] ), co-developed 90210 (2008–2013), and co-created Party Down (2009–2010, 2023) and iZombie (2015–2019).
Robert Kelly Thomas [1] (born February 14, 1972) is an American musician. He is the lead vocalist for the Florida-based alternative rock band Matchbox Twenty , which he formed in 1995 and with whom he has released five studio albums.
Robert Thomas Jr., American jazz percussionist and hand drummer; Robert Thomas, former bassist for the rock band Black Veil Brides; Robert Thomas, known as Rob49, American rapper; Rob Thomas (musician) (born 1972), lead singer of Matchbox Twenty; Rob Thomas (writer) (born 1965), producer and screenwriter, creator of Veronica Mars
Rob Thomas thanked the fans of the series for their efforts, saying, "I love those people, and they have been so good to me, but it's not going to happen." [ 49 ] A feature film continuation was made possible in 2013 through a Kickstarter fund, in which 91,585 fans donated $5,702,153 to get the film made. [ 6 ]
[3] [4] According to Thomas, the series was always meant to have a happy ending. [5] [3] In an interview with TVLine, Thomas stated that the person who would push Blaine into the well was thoroughly debated in the writer's room. [5] The episode features various nods to a different show by Thomas, Veronica Mars.
Pages in category "Television episodes written by Rob Thomas (writer)" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes .
Cradlesong, Thomas' second album, was released in June 2009. It peaked at number 3 on the Billboard 200. Four singles were released, including the single "Her Diamonds", Thomas' second Top 40 single on the Hot 100. The three additional singles released all failed to crack the Top 40 in the US, but the album was eventually certified Gold by the ...
Although the season's plan was changed very little, Thomas said that Logan became a much bigger character than anticipated. Thomas attributed this to Jason Dohring being an engaging performer, and the crew wanting to write scenes for him. While the budget for each episode was around $1.7 million, an extra $400,000 was spent for the finale.