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The biwa (Japanese: 琵琶) is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The biwa is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794).
November Steps (ノヴェンバー・ステップス, Novenbā Suteppusu) is a musical composition by the Japanese composer Tōru Takemitsu, for the traditional Japanese musical instruments, shakuhachi and biwa, and western orchestra. [1]
Biwa hōshi (琵琶法師), also known as "lute priests", were travelling performers in the era of Japanese history preceding the Meiji period. They earned their income by reciting vocal literature to the accompaniment of biwa music. Biwa hōshi were mostly blind, and adopted the shaved heads and robes common to Buddhist monks.
Biwa hōshi organized into a guild-like association. The biwa is Japan's traditional instrument. [citation needed] Lafcadio Hearn related in his book Kwaidan: Stories and Studies of Strange Things (1903) "Mimi-nashi Hoichi" (Hoichi the Earless), a Japanese ghost story about a blind biwa hōshi who performs "The Tale of the Heike". [7]
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Shamisen – a banjo-like lute with three strings; brought to Japan from China in the 16th century. Popular in Edo's pleasure districts, the shamisen is often used in kabuki theater. Made from red sandalwood and ranging from 1.1 to 1.4 metres (3 ft 7 in to 4 ft 7 in) long, the shamisen has ivory pegs, strings made from twisted silk, and a belly ...
It is the second largest Awa Dance Festival in Japan, with an average of 188 groups composed of 12,000 dancers, attracting 1.2 million visitors. [11] The Japanese production company Tokyo Story produced a version of Awa Odori in 2015 in Paris by bringing dancers from Japan in order to promote Awa Odori and the Japanese "matsuri" culture abroad.
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