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The biwa (Japanese: 琵琶) is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The biwa is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794).
Biwa hōshi were mostly blind, and adopted the shaved heads and robes common to Buddhist monks. The occupation likely had its origin in China and India, where blind Buddhist lay-priest performers were once common. The musical style of the biwa hōshi is referred to as heikyoku (平曲), which literally means "heike music".
English: Types of Biwa, Japanese short-necked fretted lute, often used in narrative storytelling. Left to right: Gagaku-biwa, Chikuzen-biwa, Heike-biwa, Mōsō-biwa ...
Biwa hōshi organized into a guild-like association. The biwa is Japan's traditional instrument. [citation needed] Lafcadio Hearn related in his book Kwaidan: Stories and Studies of Strange Things (1903) "Mimi-nashi Hoichi" (Hoichi the Earless), a Japanese ghost story about a blind biwa hōshi who performs "The Tale of the Heike". [7]
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string , wind , and percussion instruments.
Blind musicians known as biwa hōshi at Tōdōza improved the instrument and created what would be the shamisen. They used the plectrum of the Japanese biwa to play the shamisen, thus creating the beginning of jiuta as shamisen music. Ishimura-Kengyo is particularly regarded as originator of shamisen music.
Tsuruta specialized in the ancient pear-shaped plucked lute called the biwa, [1] and also sang. She developed her own form of the Satsuma biwa, [2] which is sometimes referred to as Tsuruta biwa. This biwa differs from the traditional Satsuma biwa in the number of frets, construction of the head, and occasionally a doubled 4th string.
[3] [4] Nihon-buyō differs from other varieties of Japanese traditional dance, in that it is a refined style intended as entertainment on a public stage. [ 5 ] [ 3 ] The term buyō is a modern term coined during the Meiji period (1868–1911) as a term for "dance", and the writer Tsubouchi Shōyō is believed to have been the first to use the ...
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