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A passing tone (PT) or passing note is a nonchord tone prepared by a chord tone a step above or below it and resolved by continuing in the same direction stepwise to the next chord tone (which is either part of the same chord or of the next chord in the harmonic progression).
By putting the non-chord tone on a strong beat, (typically the first or third beats of the measure, in 4/4 time) this accents the appoggiatura note, which also delays the appearance of the principal, expected chord note. The added non-chord note, or auxiliary note, is typically one degree higher or lower than the principal note, and may be ...
Changing tones. In music, changing tones (also called double neighboring tones and neighbor group) consists of two consecutive non-chord tones. [1] [2] The first moves in one direction by a step from a chord tone, then skips by a third in the opposite direction to another non-chord tone, and then finally resolves back to the original chord tone.
An ornamental tone following a principal tone by a skip up or down, usually of a third, and proceeding in the opposite direction by a step, not to be confused with changing tone. canon or kanon (Ger.) A theme that is repeated and imitated and built upon by other instruments with a time delay, creating a layered effect; see Pachelbel's Canon.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
In music, a pedal point (also pedal note, organ point, pedal tone, or pedal) is a sustained tone, typically in the bass, during which at least one foreign (i.e. dissonant) harmony is sounded in the other parts. A pedal point sometimes functions as a "non-chord tone", placing it in the categories alongside suspensions, retardations, and passing ...
Whereas originally D5 was the nonchord tone in E5-(D5)-C5, here it becomes a chord tone because it is supported by G3 in the bass, and this chord itself is elaborated D5-(C5)-B4, where C5 is the nonchord tone. In music, particularly Schenkerian analysis, a linear progression (Auskomponierungszug or Zug, abbreviated: Zg.
Non-chord tone. From Wikipedia, the free encyclopedia. Redirect page. Jump to navigation Jump to search. Redirect to: Nonchord tone;