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The third period in Victorian jewellery is known as the Aesthetic period or the late Victorian period. [4] During this period, there was a distinct change in how women wore jewellery. This period encouraged the agency of women in society, with women’s rise to power with the creation of their own political organisations. [4]
Jewelry becomes omnipresent during the Hellenistic period. It becomes unisex and is worn by people whether they are naked or dressed. In images, women were often represented with only slippers and a torque or necklace. The heavy necklaces of the classical era are now replaced by strands of beads and torques.
Necklaces with carved jade pendant Jade culture is an important aspect of Chinese culture , [ 3 ] reflecting both the material and spiritual culture of the Chinese people. [ 4 ] : 18 Jade is deeply ingrained in Chinese culture and played a role in every aspect of social life; [ 4 ] : 18 it is also associated with positive qualities and aspects ...
One choker-style necklace, two bracelets, and multiple rings would be worn at once. Jewelry was particularly important to women because it was considered to be their own property, which could be kept independently of their husband's wealth and used as the women saw fit. They had the right to buy, sell, bequeath, or barter their own jewelry. [8]
The wearing of beadwork among the various Manobo tribes is culturally very important. The number, colors, and patterns vary by tribe and by status. The largest type of bali-og is a women's necklace known as ginibang. Its name means "monitor lizard" due to the resemblance of the patterns to monitor lizard scales. [1] [2] [3]
A polychromatic Greek necklace with butterfly Krishna Roy pendant. In Ancient Greece, delicately made gold necklaces created with repoussé and plaited gold wires were worn. [4] Most often these necklaces were ornamented with blue or green enameled rosettes, animal shapes, or vase-shaped pendants that were often detailed with fringes. [4]
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