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Naʽat (Bengali: নাত and Urdu: نعت) is poetry in praise of the Islamic prophet, Muhammad. The practice is popular in South Asia (Bangladesh, Pakistan and India), commonly in Bengali, Punjabi, or Urdu. People who recite Naʽat are known as Naʽat Khawan or sanaʽa-khuaʽan.
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
The literal meaning of shayar (shaa'ir) is poet. [5] There are more than 30 types of Urdu poetry, also known as shayari. Examples of shayari are ghazal, sher, nazm, marsiya, qita and many more. [6] Traditionally, that this form of poetry is often read to an audience in a special setting called mehfil.
A shayar can use the maqta ' in a variety of interesting ways. He can "talk to himself", "to somebody else", "refer to something" etc. For example Firaq Gorakhpuri, whose takhallus is the word for the common theme in Urdu poetry of the state of pining for the beloved, plays on his pen name and the word firaq: Urdu:
Farhang-e-Rabbani (Jadid) is an Urdu-Bangla dictionary. It was first published in 1952. It was certified by Dr. Muhammad Shahidullah and Suniti Kumar Chatterji. It was the first Bangla-Urdu dictionary, when Bangladesh was part of the Dominion of Pakistan as East Bengal. This dictionary was collected or made by Shiraj Rabbani. [1]
The name Urdu was first used by the poet Ghulam Hamadani Mushafi around 1780 for Hindustani language [29] [30] even though he himself also used Hindavi term in his poetry to define the language. [31] Ordu means army in the Turkic languages.
The Shahr Ashob (Persian: شهر آشوب; literary written as Shahr-e-Ashob (lit. 'The city's misfortune' [1]), sometimes spelled Shahar-i-Ashob, is an ancient Urdu poetic genre in South Asia with its roots in lamented classical Urdu poetry.
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...