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All fired ceramic wares or materials which, when shaped, contain a significant amount of clay. Exceptions are those used for technical, structural or refractory applications. Pottery is also: (1) the art and wares made by potters; (2) a ceramic material (3) a place where pottery wares are made; and (4) the business of the potter.
Fire clay in a furnace. Fire clay is a range of refractory clays used in the manufacture of ceramics, especially fire brick.The United States Environmental Protection Agency defines fire clay very generally as a "mineral aggregate composed of hydrous silicates of aluminium (Al 2 O 3 ·2SiO 2 ·2H 2 O) with or without free silica."
Kaolin, sometimes referred to as china clay, is a key ingredient in porcelain, which was first used in China around the 7th and 8th centuries. [17] Ball clay: An extremely plastic, fine grained sedimentary clay, which may contain some organic matter. Fire clay: A clay having a slightly lower percentage of fluxes than kaolin, but usually quite ...
Cooking pots, art objects, dishware, smoking pipes, and even musical instruments such as the ocarina can all be shaped from clay before being fired. Ancient peoples in Mesopotamia adopted clay tablets as the first known writing medium. [8] Clay was chosen due to the local material being easy to work with and widely available. [24]
In the making of firebrick, fire clay is fired in the kiln until it is partly vitrified.For special purposes, the brick may also be glazed. There are two standard sizes of fire brick: 9 in × 4 + 1 ⁄ 2 in × 3 in (229 mm × 114 mm × 76 mm) and 9 in × 4 + 1 ⁄ 2 in × 2 + 1 ⁄ 2 in (229 mm × 114 mm × 64 mm). [2]
' baked earth '; [3] from Latin terra cocta 'cooked earth'), [4] is a clay-based non-vitreous ceramic [5] fired at relatively low temperatures. It is therefore a term used for earthenware objects of certain types, as set out below. [5] [6] Contemporary glazed terracotta casserole dish
Stoneware is a broad term for pottery fired at a relatively high temperature. [2] A modern definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. [3] [4] End applications include tableware, decorative ware such as vases.
However, unlike Noguchi who was merely using clay as a medium, Yagi did not aspire to completely destroy the ceramic tradition in Japan – rather, he intended to push that heritage to its limits with new types of pottery. [16] In 1954, Yagi famously debuted his first work of non-functional pottery, Zamuza-shi no sanpÅ (Mr. Samsa's Walk).