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Regula Tschumi: A Report on Paa Joe and the Proverbial Coffins of Teshie and Nungua, Ghana, in: Africa et Mediterraneo, no. 47–8, 2004, pp. 44–7; Regula Tschumi: Last Respects, First Honoured. Ghanaian Burial Rituals and Figural Coffins, in: Kunstmuseum Bern (ed.): Six Feet Under. Autopsy of Our Relation to the Dead.
Around 1960 the use of figurative coffins for Ga burial rites became widespread. Design coffins are acknowledged as symbolic of contemporary creation in Africa. At the death of Kane Kwei, his son Sowah took over the workshop, then Cedi – Kane Kwei's younger child – after the death of Sowah in 1999.
Paa Joe with a sandal coffin in collaboration with Regula Tschumi for the Kunstmuseum Berne 2006. Paa Joe was born in 1947 at Akwapim in the Eastern Region of Ghana. Joe began his career with a twelve-year apprenticeship as a coffin artist in the workshop of Kane Kwei (1924–1992) in Teshie. [8]
Eric Adjetey Anang (pronunciation ⓘ) is a Ghanaian sculptor and fantasy coffin carpenter. He was born in Teshie, Ghana and runs the Kane Kwei Carpentry Workshop. He currently maintains dual residency and splits his time between Ghana and Madison, Wisconsin, where he is pursuing unique projects. [1] [2]
Coffins are sometimes referred to as caskets, particularly in American English. Any box in which the dead are buried is a coffin, and while a casket was originally regarded as a box for jewelry , use of the word "casket" in this sense began as a euphemism introduced by the undertaker 's trade. [ 1 ]
Ataa Oko (c. 1919 –2012), sculptor, builder of figurative palanquins, and figurative fantasy coffins; Theodosia Okoh (1922–2015), teacher and designer of Ghana's national flag; Albert Opoku (1915–2002), printmaker, painter, choreographer, and dancer; Zohra Opoku (born 1976), German-born Ghanaian textile artist and photographer
EXCLUSIVE: Showmax content chief Yolisa Phahle has revealed how co-producing with international partners has helped the South Africa-based streamer compete with fierce SVoD competition, as a first ...
Several vigorous popular traditions assimilate Western influences into African styles such as the elaborate fantasy coffins of Southern Ghana, made in a variety of different shapes which represent the occupations or interests of the deceased or elevate their status.
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