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Issue date Club Play Song Artist Maxi-Singles Sales Artist Reference(s) January 1 "Tradición" Gloria Estefan "Getto Jam" Domino [1] [2]January 8 "Show Me" Ultra Naté [3] [4]
The first release as Reel 2 Real was "The New Anthem" which spent a week at No. 1 on the US Dance Chart in 1992. Although it peaked at No. 8 on the dance chart, Reel 2 Real is best known for the song " I Like to Move It ", which featured Trinidadian toaster Mark Quashie, also known as The Mad Stuntman . [ 1 ]
These are the RPM magazine Dance number one hits of 1994. Chart history. Issue date Song ... C+C Music Factory [39] October 10 [40] October 17 [41] October 24
The archive on the Official Charts Company website lists the top 40 dance singles from 3 July 1994, the beginning of the first charting week. [1] The dates listed in the menus below represent the Saturday after the Sunday the chart was announced, as per the way the dates are given in chart publications such as the ones produced by Billboard .
The group was formed by Production House Records, a record label set up in 1987 by former recording artist Phil Fearon, whose group Galaxy had had a number of hits in the 1980s. Involved with the rave scene, Production House's in-house record producer , Floyd Dyce, wrote and performed under several different names, including the House Crew, DMS ...
UK 1 – Dec 1994, US BB 1 of 1995, Holland 1 – Aug 1994, Sweden 1 – Aug 1994, Austria 1 – Oct 1994, Switzerland 1 – Oct 1994, Norway 1 – Oct 1994, Germany 1 – Jan 1995, New Zealand 1 for 6 weeks Mar 1995, POP 1 of 1995, Germany 18 of the 1990s, US BB 25 of 1995, Australia 41 of 1995, Party 54 of 2007, Scrobulate 72 of party
Renaissance: The Mix Collection is a mix of house, progressive house and trance house of the early 1990s. The album was mixed by Alexander Coe (aka Sasha) and John Digweed who were both resident DJs at Renaissance in 1994, and the songs chosen were supposed to give the listener "an idea of what [the club] was all about".
Maria Jimenez from Music & Media described it as "seriously smooth" [8] and "a delicious garagey house number with a massaging bass, smooth rhythm and on target vocals." [ 9 ] Andy Beevers from Music Week gave it five out of five, complimenting it as a "superb New York garage track". [ 10 ]