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Paul Gauguin (1848–1903) was a leading 19th-century Post-Impressionist artist, painter, sculptor, printmaker, ceramist and writer.His bold experimentation with color directly influenced modern art in the 20th century while his expression of the inherent meaning of the subjects in his paintings, under the influence of the cloisonnist style, paved the way to Primitivism and the return to the ...
Self-Portrait Dedicated to Carrière (1888 or 1889) Jirat-Wasiutyński notes that art historian Denys Sutton was the first critic to interpret Gauguin's self-portrait as "demonic". [11] This interpretation is illustrated by the pendant, the companion piece Portrait of Jacob Meyer de Haan (1889), which visually complements the Self-Portrait.
Gauguin finished 11 known paintings during his stay in Martinique, many of which seem to be derived from his hut. His letters to Schuffenecker express an excitement about the exotic location and natives represented in his paintings. Gauguin asserted that four of his paintings on the island were better than the rest. [58]
The painting is a portrait of Paul Gauguin's wife Teha'amana during his first visit to Tahiti in 1891–1893. This marriage has always provoked controversy because it was arranged and completed in the course of a single afternoon and Gauguin claimed Teha'amana was just thirteen years old at the time. [2] [3]
Self-Portrait with the Yellow Christ is an 1890 or 1891 painting by Paul Gauguin, produced in Pont-Aven in Brittany and now in the musée d'Orsay in Paris, to which it was assigned after its purchase by the French state in 1994 with financial assistance from Philippe Meyer and a Japanese patron.
A strangely captivating oil painting, Paul Gauguin’s Christ on the Mount of Olives is a self-portrait that places the artist in place of Christ as he embarks on a journey into the unknown. Creating both a sense of depth and hierarchy, two figures can be seen trailing behind the character in the foreground.
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