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Paul Gauguin (1848–1903) was a leading 19th-century Post-Impressionist artist, painter, sculptor, printmaker, ceramist and writer.His bold experimentation with color directly influenced modern art in the 20th century while his expression of the inherent meaning of the subjects in his paintings, under the influence of the cloisonnist style, paved the way to Primitivism and the return to the ...
Eugène Henri Paul Gauguin (/ ɡ oʊ ˈ ɡ æ n /; French: [øʒɛn ɑ̃ʁi pɔl ɡoɡɛ̃]; 7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements.
Mahana no atua (English: Day of the God) is an 1894 oil painting by the French Post-Impressionist artist Paul Gauguin which is in the collection of the Art Institute of Chicago. [1] The painting was executed in Paris on Gauguin's return from his first period of living and working in Tahiti and is more imaginative than real. It depicts a central ...
Born in France in 1848, Paul Gauguin was an influential Post-Impressionist artist whose work was influential on the Symbolist movement and on all of modern art for many years after his death. An extremely religious person, Gauguin focused most of his work on themes of religion and God.
The Siesta (Paul Gauguin) Spirit of the Dead Watching; Still Life with a Sketch after Delacroix; Still Life with Exotic Birds; Still Life with Head-Shaped Vase and Japanese Woodcut; Still Life with Profile of Laval; Study of a Nude
Paul Gauguin (1848–1903) was a French Post-Impressionist artist and figure in the Symbolist movement known for his contributions to the Synthetist style. In 1886, he spent the summer in Pont-Aven in Brittany, an artists colony that became known as the Pont-Aven School for Gauguin's influence and the work they produced.
) is an 1897–98 painting by French artist Paul Gauguin. The painting was created in Tahiti and is in the Museum of Fine Arts in Boston, Massachusetts. Viewed as a masterpiece by Gauguin, the painting is considered "a philosophical work comparable to the themes of the Gospels". [1] The painting is notable for its enigmatic subject and atmosphere.
Gauguin crowds the two figures into the space of the canvas, yet they are completely independent of one another. [11]: 236 Art historians have compared this aspect of the work to the treatment of figures in Manet's On the Beach. [9]: 236 The colors Gauguin employs include orange, yellow, pink, ocher, deep reds, turquoises, and browns.
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