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Chinoiserie in fashion refers to the any use of chinoiserie elements in fashion, especially in American and European fashion. Since the 17th century, Chinese arts and aesthetic were sources of inspiration to European artists, creators, [1]: 52 and fashion designers when goods from oriental countries were widely seen for the first time in Western Europe.
Later wallpaper with chinoiserie motifs became accessible to the middle class when it could be printed and thus produced in a range of grades and prices. [25] The patterns on chinoiserie wallpaper are similar to the pagodas, floral designs, and exotic imaginary scenes found on chinoiserie furniture and porcelain.
The wallpaper depicts a Chinese garden with birds with distinctive plumages and butterflies as well as fruit trees and shrubs. The decorative scheme of the wallpaper is divided between two borders; the upper has tall green jars and hanging baskets with magnolias and peonies, the lower border features wading birds and tall lotus plants.
Not every adaptation of Chinese design principles falls within mainstream "chinoiserie". Chinoiserie media included imitations of lacquer and painted tin ( tôle ) ware that imitated japanning, early painted wallpapers in sheets, and ceramic figurines and table ornaments.
The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty China.
Hand-painted Chinese wallpaper showing a funeral procession, made for the European market, c. 1780. In 1712, during the reign of Queen Anne, a wallpaper tax was introduced which was not abolished until 1836. By the mid-18th century, Britain was the leading wallpaper manufacturer in Europe, exporting vast quantities to Europe in addition to ...
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