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Below is a list of broadcast video formats. 24p is a progressive scan format and is now widely adopted by those planning on transferring a video signal to film. Film and video makers use 24p even if they are not going to transfer their productions to film, simply because of the on-screen "look" of the (low) frame rate, which matches native film.
Because the resulting, new, Super 16 aspect ratio takes up the space originally reserved for the 16mm soundtrack, films shot in this format must be enlarged by optical printing to 35 mm for sound-projection, and, in order to preserve the proper 1.66:1, or (slightly cropped) 1.85:1 theatrical aspect ratios which this format was designed to provide.
HLG format is an HDR format that can be used for video and still images. [ 26 ] [ 27 ] It uses the HLG transfer function, Rec. 2020 color primaries, and a bit depth of 10 bits. [ 28 ] The format is backwards compatible with SDR UHDTV , but not with older SDR displays that do not implement the Rec. 2020 color standards.
Created by the Digital Cinema Initiative, DCI-P3 is designed for viewing in a fully darkened theater environment. The projection system uses a simple 2.6 gamma curve, the nominal white luminance is 48 cd/m 2 (14ftL), and the white point is based on a projector with a xenon bulb, for a correlated color temperature (CCT) of ~6300 K.
Examples include TVs and digital projectors. A sink has one or more HDCP/HDMI receivers. [4] Repeater A repeater accepts content, decrypts it, then re-encrypts and retransmits the data. It may perform some signal processing, such as upconverting video into a higher-resolution format, or splitting out the audio portion of the signal.
1080p (1920 × 1080 progressively displayed pixels; also known as Full HD or FHD, and BT.709) is a set of HDTV high-definition video modes characterized by 1,920 pixels displayed across the screen horizontally and 1,080 pixels down the screen vertically; [1] the p stands for progressive scan, i.e. non-interlaced.
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Many of these resolutions are also used for video files that are not broadcast. These may also use other aspect ratios by cropping otherwise black bars at the top and bottom which result from cinema aspect ratios greater than 16∶9, such as 1.85 or 2.35 through 2.40 (dubbed "Cinemascope", "21∶9" etc.), while the standard horizontal ...