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Possibly created by Pachelbel himself, they contain some of his finest late vocal works. They are also among the very few manuscripts ever identified as possible autographs by the composer. Approximately 530 compositions have been attributed to Johann Pachelbel. As of 2009, no standard numbering system exists for Pachelbel's work. This article ...
Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue , known as Canon and Gigue for 3 violins and basso continuo .
Johann Pachelbel [n 1] (also Bachelbel; baptised 11 September [O.S. 1 September] 1653 [n 2] – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak.
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Interest in Pachelbel's work increased in the early 20th century with the revival of Baroque-era compositions, but the Canon remained relatively obscure until the 1960s. Alexandra S. Levine, writing for The New York Times , said a late-1960s recording by French conductor Jean-François Paillard led to the piece's ubiquity in pop music and at ...
Pachelbel also confesses that "something weightier and more unusual" than this work should have been written for the occasion, [2] apparently feeling that this is not his best work. Pachelbel alludes to the "friendly nature" of Buxtehude and Richter, which might indicate that he knew one of them or both, perhaps through correspondence. [3]
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First published in Erfurt in 1683, Musicalische Sterbens-Gedancken is now lost. According to Walther's Musicalisches Lexicon (Leipzig, 1732), four sets of chorale variations constituted the collection, and attempts have been made by musicologists such as Max Seiffert and Hans Joachim Moser to reconstruct the work using Pachelbel's surviving chorale variations.
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