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The silhouette changed once again as the Victorian era drew to a close. The shape was essentially an inverted triangle, with a wide-brimmed hat on top, a full upper body with puffed sleeves, no bustle, and a skirt that narrowed at the ankles [11] (the hobble skirt was a fad shortly after the end of the Victorian era). The enormous wide-brimmed ...
The technology, art, politics, and culture of the 19th century were strongly reflected in the styles and silhouettes of the era's clothing. For women, fashion was an extravagant and extroverted display of the female silhouette with corset pinched waistlines, bustling full-skirts that flowed in and out of trend and decoratively embellished gowns ...
Victorian women's clothing followed trends that emphasised elaborate dresses, skirts with wide volume created by the use of layered material such as crinolines, hoop skirt frames, and heavy fabrics. Because of the impracticality and health impact of the era's fashions, a dress reform movement began among women.
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Goldthorpe, Caroline: From Queen to Empress: Victorian Dress 1837–1877, Metropolitan Museum of Art, New York, 1988, ISBN 0-87099-535-9 (full text available online from the Metropolitan Museum of Art Digital Collections)
Both boys and girls wore skirts from the time they could walk until they reached age 5 or 6. Very small girls wore their skirts just below knee-length over pantalettes. Skirts became very gradually longer as girls grew up until they reached ankle length at coming-out (in their later teens, usually 16-18).
Artistic Dress was a fashion movement in the second half of the nineteenth century that rejected highly structured and heavily trimmed Victorian trends in favour of beautiful materials and simplicity of design. It arguably developed in Britain in the early 1850s, influenced by artistic circles such as the Pre-Raphaelites, and Dress Reform ...
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