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Empusa is a character in Faust, Part Two by Goethe. She appears during the Classical Walpurgis Night as Mephisto is being lured by the Lamiae. She refers to herself as cousin to Mephisto because she has a donkey's foot and he has a horse's. Empusa is the name of the ship used by Count Orlok to travel to Wisborg in F. W. Murnau's film Nosferatu ...
A host of legendary creatures, animals, and mythic humanoids occur in ancient Greek mythology.Anything related to mythology is mythological. A mythological creature (also mythical or fictional entity) is a type of fictional entity, typically a hybrid, that has not been proven and that is described in folklore (including myths and legends), but may be featured in historical accounts before ...
[148] [149] Images of Jesus as a healer replaced images of Asclepius and Hippocrates as the ideal physician. [149] Jesus, who was originally shown as clean-shaven, may have first been shown as bearded as a result of this syncretism with Asclepius, [150] [151] as well as other bearded deities such as Zeus and Serapis. [151]
Lamia (/ ˈ l eɪ m i ə /; Ancient Greek: Λάμια, romanized: Lámia), in ancient Greek mythology, was a child-eating monster and, in later tradition, was regarded as a type of night-haunting spirit or "daimon". In the earliest stories, Lamia was a beautiful queen of ancient Libya who had an affair with Zeus.
Empusa may refer to: In ancient Greek mythology, the Empusa (or Empousa) was a female supernatural monster or demoness; Empusa, a 2010 movie co-starring Paul Naschy, made in Spain; Empusa, a genus of mantises in the family Empusidae; Empusa, a synonym of the moth genus Cucullia in the family Noctuidae
The story of the Mandylion is likely the product of centuries of development. The first version is found in Eusebius' History of the Church (1.13.5–1.13.22). Eusebius claimed that he had transcribed and translated the actual letter in the Syriac chancery documents of the king of Edessa.
In Greek mythology, the name Telepylos is mentioned in the Odyssey (k 82, ps 318) the city or country of the Laistrygons ("laistrygonii"). The name, from tele- = far and the door, perhaps according to some authors has the meaning of "eurypylos, megalopylos", or "macropylos" (Eustathius: "at a distance from each other, but next to the doors or at the length " ).
The fourth panel of the so-called “Odyssey Landscapes” wall painting from the Vatican Museums in Rome, 60–40 BC.. In Greek mythology, the Laestrygonians / ˌ l ɛ s t r ɪ ˈ ɡ oʊ n i ə n z / or Laestrygones / l ɛ ˈ s t r ɪ ɡ ə ˌ n iː z / [1] (Greek: Λαιστρυγόνες) were a tribe of man-eating giants.