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The 1969–70 daytime network television schedule for the three major English-language commercial broadcast networks in the United States covers the weekday and weekend daytime hours from September 1969 to August 1970.
The second began service in 1900 by the Chicago Terminal Transfer Railroad, and continued when B&O purchased the line in 1910. It operated six trains a day between Grand Central and Chicago Heights, stopping in Blue Island, Harvey, Thornton and Glenwood. The line was unsuccessful and ended as early as 1915. [17]
United States Television dayparting; daytime television in red.. Daytime is a block of television programming taking place during the late-morning and afternoon on weekdays. . Daytime programming is typically scheduled to air between the hours of 9:00 a.m. and 5:00 p.m., following the early morning daypart typically dedicated to morning shows and preceding the evening dayparts that eventually ...
The Granada Theatre was a 3,400–seat movie palace located at 6427-41 North Sheridan Road in the Rogers Park neighborhood of Chicago.It was constructed in 1926 for the Marks Brothers, who were major theatre operators in the U.S. [1] Edward E. Eichenbaum was the principal designer for the architectural firm of Levy & Klein.
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The schedule covers primetime hours from September 1949 through March 1950. The schedule is followed by a list per network of returning series, new series, and series cancelled after the 1948–49 season. This was the first season in which all four networks offered at least some prime time programming all seven nights of the week.
The Richard B. Ogilvie Transportation Center (/ ˈ oʊ ɡ ə l v iː /), on the site of the former Chicago and North Western Terminal, is a commuter rail terminal in downtown Chicago, Illinois. For the last century, this site has served as the primary terminal for the Chicago and North Western Railway and its successors Union Pacific and Metra ...
Established on June 18, 1904, Chicago’s Pekin Theatre was the first black owned musical and vaudeville stock theatre in the United States. Between 1904 and around 1915, the Pekin Club and its Pekin Theatre served as a training ground and showcase for Black theatrical talent, vaudeville acts, and musical comedies.